The Metropolitan Opera House was awash in pearls and tuxedos on a recent gala evening. Socialites traded political gossip by the bar, and bankers discussed coming vacations in the Maldives.

Then a golden elevator door slid open and a glamorous figure slipped out.

Heads turned, cellphones clumsily emerged and people began to talk. Is that really her? What is she doing here? She seems taller in person. Look at those tattoos!

I had invited Angelina Jolie to the Met to see a performance of Puccini’s “Tosca” ahead of the release of “Maria,” a new film starring Jolie as opera’s defining diva, Maria Callas.

ImageJolie and Larraín at the Met. “There’s an authenticity here that is beautiful,” Jolie said. “There’s a poetry to it all.”

Jolie is one of the most recognizable people on the planet, commanding attention wherever she goes. But her night at the opera got off to a bumpy start. She had a problem with her dress, a black, floor-length Yves Saint Laurent with a velvet cape. (The seamstresses in the Met’s costume shop were summoned, but Jolie soldiered on without help.) And when I met her in the foyer, she seemed to be having last-minute doubts about me shadowing her, saying it might spoil the experience.

“I just want to enjoy the evening,” she told me. “I want to take it all in.”

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